Artwork Page for Satan Starts from the Touch of Ithuriel's Spear

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Satan Starts from the Touch of Ithuriel's Spear

1776
(Swiss, 1741–1825)
Support
Cream(2) laid paper, laid down on cream(2) modern? laid paper
Measurements
Sheet: 30.9 x 42.5 cm (12 3/16 x 16 3/4 in.); Secondary Support: 31 x 42.7 cm (12 3/16 x 16 13/16 in.)
Credit Line
Catalogue raisonné
Schiff 483a
Public Domain
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Location
Not on view
?

Did You Know?

This drawing is one of three almost identical drawings depicting the same scene from Paradise Lost; the other sheets are in the collections of the National Gallery, Stockholm, and the British Museum, London.

Description

Henry Fuseli's lifelong interest in the work of the English poet John Milton (1608-1674) inspired many drawings that interpreted passages from Milton's epic poem Paradise Lost (1667). This early example illustrates the moment when the angels Ithuriel and Zephon discover Satan disguised as a toad in the bower where Adam and Eve are sleeping. Ithuriel forces Satan to reveal himself by prodding him with a spear. The lion in the background alludes to an earlier passage in the poem, when Satan takes on the shape of the beast in order to spy on the couple.
A horizontally oriented, atmospheric ink and wash drawing on tan paper depicts dynamic winged figures with elongated, muscular limbs and strained expressions. To our right, a figure gazes upward while raising a large shield. Opposite, another lunges with a long spear toward two reclining, entwined figures below. A ghostly third figure follows behind. Heavy gray wash creates deep shadows along the edges. In the distance, a small lion stands alert.

Satan Starts from the Touch of Ithuriel's Spear

1776

Henry Fuseli

(Swiss, 1741–1825)
England, 18th century

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