Artwork Page for The Archangel Gabriel from an Annunciation Group

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The Archangel Gabriel from an Annunciation Group

c. 1350
Measurements
Overall: 56.5 x 26 x 10.5 cm (22 1/4 x 10 1/4 x 4 1/8 in.)
Public Domain
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The surface of alabaster works can vary. By differentiating the intensity of polishing, it is possible for sculptures to create a surface with varying degrees of luster, or shine.

Description

In France, the use of alabaster began in the late 1200s for funerary monuments. The Archangel Gabriel, together with its counterpart, the Virgin Mary (now in the Louvre Museum, Paris) is part of an Annunciation. This is a rare example of alabaster sculpture from the 1300s. The alabaster comes from a quarry near Malaucène in Provence (France), making it an instance of long-distance trade of the rare material. Although the figure is very flat, it was likely made to also be viewed from the back, where there are remnants of gilding and the peacock feathers of the angel’s wing.
An almost transparent, beige stone sculpture in alabaster depicts the Archangel Gabriel, an angel with curly hair kneeling and holding a thin scroll half his height over his left knee. He points at the scroll's partially worn away inscription, "Ave Maria, Gratia Plena," with his right hand, looking slightly to our right. Brown dots his wings and paints geometric patterns on the edges of the multi-layered wrap he wears, falling in folds.

The Archangel Gabriel from an Annunciation Group

c. 1350

France, Champagne

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