Artwork Page for Pine Wind from Myriad Villages

Details / Information for Pine Wind from Myriad Villages

Pine Wind from Myriad Villages

萬壑松風圖

late 1600s–1718
(Chinese, 1632–1718)
Measurements
Image: 109.5 x 25.9 cm (43 1/8 x 10 3/16 in.); Overall: 207 x 44.9 cm (81 1/2 x 17 11/16 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

A figure carrying a qin, zither, walks between the buildings, perhaps intending to play music for the two men seated beneath the pines.

Description

Wu Li, a native of Jiangsu province, was a talented painter, poet, and calligrapher. He studied painting with Wang Jian (1598–1677) and Wang Shimin (1592–1680), two of the “Four Wangs,” leaders of the Orthodox school of painting in the early Qing period. Through them, he also absorbed styles of earlier Ming dynasty masters.

Wu was highly praised by his contemporaries and his paintings were in demand, but his interest in philosophy and religion curtailed his painting activities later in life. Wu Li converted to Christianity and in 1688 was ordained as one of the first 3 Chinese Jesuit priests. He spent the final 30 years of his life primarily in missionary work with the poor.

Although this painting is undated, the sooty blackness of the ink tones and the easy self-confidence with which they are set down on paper echo recognized late works.
A hanging scroll in ink and light color on paper depicts a vertical mountain landscape with rhythmic, textured lines. A massive central peak towers above winding paths and small buildings. In the foreground, dense clusters of brushstrokes form pine trees where a small figure overlooks water. Chinese calligraphy and red seals occupy the upper right corner, with further red stamps along the lower right edge.

Pine Wind from Myriad Villages

late 1600s–1718

Wu Li

(Chinese, 1632–1718)
China, Qing dynasty (1644-1911)

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