Artwork Page for The Fall of the Angels

Details / Information for The Fall of the Angels

The Fall of the Angels

c. 1890–1900
(French, 1840–1917)
Medium
marble
Measurements
Overall: 53.5 x 69.9 x 40.6 cm (21 1/16 x 27 1/2 x 16 in.)
Public Domain
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Description

The entwined couple in this sculpture recalls the figures on Rodin’s monumental doorway The Gates of Hell. Struck by Dante Alighieri’s descriptions of the damned suffering in hell because of their sins of the flesh, Rodin populated his portal with embracing lovers symbolic of carnal desire and sensual pleasure. Here, a winged figure alludes to the biblical account of the angels who were cast out of Heaven after siding with Satan (Revelation 12:4). Rodin preferred marble for erotic subjects. The juxtaposition between the smooth, sensual surfaces of the figures and the rough-hewn areas below gives the impression that the couple is blossoming into life from hard, lifeless stone.
A marble sculpture depicts multiple nude figures intertwined in a horizontal tumble atop a rough-hewn, irregular base. At the top, one figure's leg extends upward while an arm reaches to the right, hand slightly curled. Beneath them, torsos and limbs overlap and twist in a mass. A feathered wing, with overlapping rows of plumage, protrudes from the right. The white marble transitions from smooth, polished forms to a jagged, matte texture at the unfinished base.

The Fall of the Angels

c. 1890–1900

Auguste Rodin

(French, 1840–1917)
France, late 19th-early 20th Century

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