Artwork Page for Study of a Nude Woman, Seated Looking to the Right (recto) Study of a Male Nude (verso)

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Study of a Nude Woman, Seated Looking to the Right (recto) Study of a Male Nude (verso)

c. 1810
(French, 1758–1823)
Catalogue raisonné
Guiffrey 1151
Public Domain
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Location
Not on view
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Did You Know?

Pierre-Paul Prud'hon was raised in the Cluny abbey by monks, who recognized and encouraged his artistic talent as a boy.

Description

This sheet is notable in its presentation of a woman, specifically one of Pierre-Paul Prud’hon’s favorite models, Marguerite—known for her curly hair and striking appearance. Following the artist’s death, more than 100 drawings were discovered in his studio, each portraying a closely studied nude figure like those shown here. The context of these works remains unclear: artists typically sketched from a model early in their training, but Prud’hon did so as a well-established painter. He saw drawing as a solitary practice, working consistently with white and black chalks on a paper described by one critic as “moonlit blue.”
A vertically oriented black and white chalk drawing on blue paper features two nude figure studies side-by-side. On our left, a seated woman turns her head, her muscular form defined by softly blended chalk. To our right, a man stands in profile with one arm raised high. Sketchy hatching and deep shadows define their contours, while white chalk highlights and horizontal streaks ground the figures against the cool-toned paper.

Study of a Nude Woman, Seated Looking to the Right (recto) Study of a Male Nude (verso)

c. 1810

Pierre-Paul Prud'hon

(French, 1758–1823)
France, 19th century

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