Artwork Page for Navicella (recto)

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Navicella (recto)

c. 1410s

Parri Spinelli

(Italian, 1387–c. 1453)
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Culture
Italy, Arezzo, 15th century
Medium
pen and brown ink (iron gall)
Support
Beige(1) laid paper, tipped on to cream-yellow wove paper
Measurements
Sheet: 27.2 x 37.2 cm (10 11/16 x 14 5/8 in.); Secondary Support: 32.8 x 42.8 cm (12 15/16 x 16 7/8 in.)
Credit Line
Purchase from the J. H. Wade Fund 1961.38.a
Public Domain
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Location
Not on view
Print
?

Did You Know?

Dating from the early 1400s, this drawing by Parri Spinelli is the oldest in the Cleveland Museum of Art's collection.

Description

Parri Spinelli was most important painter from Arezzo in the early 1300s. About 30 of his drawings are extant, more than for any other artist of the period, when drawing was just beginning to be common to artistic practice. Spinelli used a quill pen and ink on a large sheet of paper to copy the composition of a monumental mosaic by the Florentine artist Giotto that adorned the portico of Old Saint Peter’s Basilica in Rome (since destroyed). In this scene from the Bible, Christ walks on water at right, while Saint Peter kneels before him in front of a ship filled with Christ’s disciples. Spinelli focused on the outlines of the figures, using a limited vocabulary of parallel and perpendicular lines to suggest shallow depth and shadow. Paper was rarely wasted. On the other side of the sheet (1961.38.b), Spinelli continued the copy, rendering two large ships and two rowing boats full of people.The drawing formed part of a model or pattern book that Spinelli would have kept in his studio. The book was broken up, probably as early as the 1500s, and two other drawings with the same subject—in the Metropolitan Museum of Art, New York, and in the Musée Bonnat in Bayonne—are known.
A horizontally oriented brown ink drawing on weathered paper depicts two large, multi-masted ships. On our left, a ship's deck and a foreground rowboat swarm with tiny figures. To our right, another vessel features a tall mast topped with a circular platform. Thin, intersecting strokes define the hulls and rigging across the mottled surface, while flags and banners appear at the top of the vessels amidst the energetic, sketchily rendered composition.

Navicella (recto)

c. 1410s

Parri Spinelli

(Italian, 1387–c. 1453)
Italy, Arezzo, 15th century

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