Artwork Page for Fishing in Springtime

Details / Information for Fishing in Springtime

Fishing in Springtime

1700s
(Japanese, 1723–1776)
Measurements
Painting: 124 x 49.4 cm (48 13/16 x 19 7/16 in.); Mounted: 210 x 62.9 cm (82 11/16 x 24 3/4 in.)
Credit Line
Public Domain
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Location
Not on view

Description

Ike Taiga was subject to many artistic influences; we know he practiced Zen calligraphy from an early age, his father may have had ties to the famous painter Ōgata Kōrin (1658–1716), he may have trained under a Tosa school painter, and he is thought to have seen Western images early on that informed his approach in representing depth. Though he started with professional beginnings—making a living after his father’s death by selling paintings on fans—he surrounded himself with the members of the literati community, and never stopped absorbing stylistic influences from diverse sources throughout his career. As a result, his style is unique and aesthetically definitive of nanga—the name given to Japanese literati painting.
A hanging scroll in ink and pale colors depicts a mountainous landscape receding upward. Dense, rhythmic brushstrokes and soft washes define undulating, blue-gray peaks. In the foreground, two figures in a small boat navigate a wide river near thatched-roof houses. Terraced fields climb toward clusters of buildings nestled among rounded hills and trees rendered with expressive dashes. Vertical calligraphy and red seals mark the left edge, while hazy atmosphere unifies the composition.

Fishing in Springtime

1700s

Ike Taiga

(Japanese, 1723–1776)
Japan, Edo period (1615–1868)

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