Mei Qing

1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, Mùnich, Germany (organizer) (October 16-December 13, 1959).

1000 Jahre Chinesische Malerei

Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962).

Year in Review - 1962

Fantastics and Eccentrics in Chinese Painting. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967).

Fantastics and Eccentrics in Chinese Painting

The Colors of Ink. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).

The Colors of Ink

Conference of Oriental-Western Literary and Cultural Relations. Indiana University Art Museum, Bloomington, IN (organizer) (October 17-19, 1974).

Conference of Oriental-Western Literary and Cultural Relations

Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954).

Fifteen Chinese Paintings from the Cleveland Museum of Art. Smith College Museum, Northampton, MA (1964).

Juxtapositions. The Cleveland Museum of Art (September 11-October 10, 1965).

Fantastics and Eccentrics. Asia House Gallery, New York, NY, (March 23-May 28, 1967); Los Angeles County Museum of Art, CA (June 20-August 13, 1967); and M. H. De Young Memorial Museum, San Francisco, CA (September 15-November 5, 1967).

Conference on Oriental-Western Literary and Cultural Relations. Indiana University, Bloomington, IN (1974).

Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).

Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).

A horizontal painting in ink and color on beige paper depicts a landscape where a towering cliff on the left features a jagged ledge with a small hut. Below, two figures sit in a pavilion nestled among skeletal trees. Faint blue and green mountains rise in the distance against a pale void. Vertical columns of Chinese calligraphy and red seals occupy the upper right; another red seal marks the lower left corner.

Richard B. Hobart [1885–1963], Cambridge, MA, sold to the Cleveland Museum of Art

The Cleveland Museum of Art, Cleveland, OH

Landscapes in Various Styles after Old Masters

倣古山水圖冊

Mei Qing 梅清

Did You Know?

Landscapes in Various Styles after Old Masters

Mei Qing

See Also

Visually Similar by AI

Contact Us

Artwork Page for Landscapes in Various Styles after Old Masters

Details / Information for Landscapes in Various Styles after Old Masters

Landscapes in Various Styles after Old Masters

倣古山水圖冊

Mei Qing 梅清

Did You Know?

Landscapes in Various Styles after Old Masters

Mei Qing

See Also

Visually Similar by AI

Contact Us