Mei Qing

1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, Mùnich, Germany (organizer) (October 16-December 13, 1959).

1000 Jahre Chinesische Malerei

Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962).

Year in Review - 1962

Fantastics and Eccentrics in Chinese Painting. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967).

Fantastics and Eccentrics in Chinese Painting

The Colors of Ink. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).

The Colors of Ink

Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954).

Fifteen Chinese Paintings from the Cleveland Museum of Art. Smith College Museum, Northampton, MA (1964).

Juxtapositions. The Cleveland Museum of Art (September 11-October 10, 1965).

Fantastics and Eccentrics. Asia House Gallery, New York, NY, (March 23-May 28, 1967); Los Angeles County Museum of Art, CA (June 20-August 13, 1967); and M. H. De Young Memorial Museum, San Francisco, CA (September 15-November 5, 1967).

Conference on Oriental-Western Literary and Cultural Relations. Indiana University, Bloomington, IN (1974).

Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).

Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).

A horizontal ink painting on cream paper depicts two gnarled pine trees rising on our right and leaning toward our left. Thick, black dabs texture the trunks, supporting clusters of dark, horizontal needles. A column of vertical Chinese calligraphy fills the far left side, accompanied by small red seals. Three additional seals mark the far right edge. Repeated short, vertical strokes form a rocky base and shrubs anchoring the composition.

Richard B. Hobart [1885–1963], Cambridge, MA, sold to the Cleveland Museum of Art

The Cleveland Museum of Art, Cleveland, OH

Landscapes in Various Styles after Old Masters

倣古山水圖冊

Mei Qing 梅清

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Landscapes in Various Styles after Old Masters

Mei Qing

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Landscapes in Various Styles after Old Masters

倣古山水圖冊

Mei Qing 梅清

Did You Know?

Landscapes in Various Styles after Old Masters

Mei Qing

See Also

Visually Similar by AI

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