Mei Qing

1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, Mùnich, Germany (organizer) (October 16-December 13, 1959).

1000 Jahre Chinesische Malerei

Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962).

Year in Review - 1962

Fantastics and Eccentrics in Chinese Painting. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967).

Fantastics and Eccentrics in Chinese Painting

The Colors of Ink. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).

The Colors of Ink

Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954).

Fifteen Chinese Paintings from the Cleveland Museum of Art. Smith College Museum, Northampton, MA (1964).

Juxtapositions. The Cleveland Museum of Art (September 11-October 10, 1965).

Fantastics and Eccentrics. Asia House Gallery, New York, NY, (March 23-May 28, 1967); Los Angeles County Museum of Art, CA (June 20-August 13, 1967); and M. H. De Young Memorial Museum, San Francisco, CA (September 15-November 5, 1967).

Conference on Oriental-Western Literary and Cultural Relations. Indiana University, Bloomington, IN (1974).

Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).

Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).

This horizontal landscape in ink and light color on beige paper features layered mountains formed by pale, streaky lines. In the foreground, a cluster of pine trees with dark, fanned needles grows from a rocky outcrop beside a small pavilion. Sparse trees with spindly branches stand atop tiered stone ledges to the right. Chinese calligraphy and a red seal occupy the upper left corner, with two additional seals in the lower right.

Richard B. Hobart [1885–1963], Cambridge, MA, sold to the Cleveland Museum of Art

Landscapes in Various Styles after Old Masters

倣古山水圖冊

Mei Qing 梅清

Landscapes in Various Styles after Old Masters

Mei Qing

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Landscapes in Various Styles after Old Masters

倣古山水圖冊

Mei Qing 梅清

Landscapes in Various Styles after Old Masters

Mei Qing

See Also

Visually Similar by AI

Contact Us