Mei Qing

1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, Mùnich, Germany (organizer) (October 16-December 13, 1959).

1000 Jahre Chinesische Malerei

Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962).

Year in Review - 1962

Fantastics and Eccentrics in Chinese Painting. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967).

Fantastics and Eccentrics in Chinese Painting

The Colors of Ink. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).

The Colors of Ink

Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954).

Fifteen Chinese Paintings from the Cleveland Museum of Art. Smith College Museum, Northampton, MA (1964).

Juxtapositions. The Cleveland Museum of Art (September 11-October 10, 1965).

Fantastics and Eccentrics. Asia House Gallery, New York, NY, (March 23-May 28, 1967); Los Angeles County Museum of Art, CA (June 20-August 13, 1967); and M. H. De Young Memorial Museum, San Francisco, CA (September 15-November 5, 1967).

Conference on Oriental-Western Literary and Cultural Relations. Indiana University, Bloomington, IN (1974).

Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).

Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).

A horizontal ink painting features a gnarled tree leaning left from a rocky ledge. Its thick, layered bark is textured with dark spots of foliage. At its base, small bamboo shoots grow near a tiny figure in a distant boat. Soft, horizontal grey washes create misty hills above. On the left, vertical columns of Chinese calligraphy and red seals frame the scene, while another red seal marks the bottom right corner.

Richard B. Hobart [1885–1963], Cambridge, MA, sold to the Cleveland Museum of Art

Landscapes in Various Styles after Old Masters

倣古山水圖冊

Mei Qing 梅清

Landscapes in Various Styles after Old Masters

Mei Qing

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Details / Information for Landscapes in Various Styles after Old Masters

Landscapes in Various Styles after Old Masters

倣古山水圖冊

Mei Qing 梅清

Landscapes in Various Styles after Old Masters

Mei Qing

See Also

Visually Similar by AI

Contact Us