A vertically oriented, aged beige page features thirteen lines of Persian cursive calligraphy in black ink. The horizontal, fluid text is accented by red marks and small gold flourishes. A thin border of gold and orange lines frames the script, surrounded by narrow margins. A dark brown stain at the bottom edge marks the vertical page, highlighting its historical character.

Estate of Breckinridge Long [1881–1958], Bowie, MD

(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)

The Cleveland Museum of Art, Cleveland, OH

Page from Tales of a Parrot (Tuti-nama): text page

The monk returns the magic parrot to its rightful owner, the merchant, from a Tuti-nama (Tales of a Parrot): Tenth Night

Sericulture (The Process of Making Silk)

Hearing her declaration of love, Ayaz falls at the feet of Mahmuda at the holy shrine. The scene is witnessed by Salim, Ayaz’s friend, and a maid, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Falcon

The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Page from Tales of a Parrot (Tuti-nama): text page

Mughal India, court of Akbar

Page from Tales of a Parrot (Tuti-nama): text page

See Also

Visually Similar by AI

Contact Us

Artwork Page for Page from Tales of a Parrot (Tuti-nama): text page

Details / Information for Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page

Mughal India, court of Akbar

Page from Tales of a Parrot (Tuti-nama): text page

See Also

Visually Similar by AI

Contact Us