Artwork Page for The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night

Details / Information for The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night

The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night

c. 1560
(reigned 1556–1605)
Measurements
Overall: 20.2 x 14 cm (7 15/16 x 5 1/2 in.); Painting only: 10 x 10 cm (3 15/16 x 3 15/16 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

The illegible writing on the musician’s book seems derived from an Indian script, rather than Arabic or Persian.

Description

This story tells of a fantastical bird called a qaqnos who emitted sonorous tones from its beak when joyful. From these sounds, the science of music was developed. In the image, a man holding a book in one hand and an instrument called a vina in the other crouches beneath a tasseled canopy. His weapons, a quiver, sword, and shield hang in the tree nearby.
A vertically oriented gum tempera and ink painting on paper depicts a scene framed by calligraphic panels. A figure in white sits on a patterned rug, holding a stringed instrument and small book. To the right, a bird with several holes in its beak perches on a rock near a leafy tree. To the left, a shield and quiver lean against a tree. Bold red, gold, and green tones define the detailed composition.

The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night

c. 1560

Mughal India, court of Akbar (reigned 1556–1605)

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