A vertically oriented page of aged cream-colored paper features rows of black-inked Persian script. Elongated horizontal strokes characterize the text, which is framed by thin blue, orange, and gold lines. Below ten lines of calligraphy, a centered blue-inked heading introduces two columns of shorter verses. Small gold dots are scattered throughout the writing. Dark staining marks the top edge, while faint script shows through from the reverse side.

Estate of Breckinridge Long [1881–1958], Bowie, MD

(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)

The Cleveland Museum of Art, Cleveland, OH

Page from Tales of a Parrot (Tuti-nama): text page

The monk returns the magic parrot to its rightful owner, the merchant, from a Tuti-nama (Tales of a Parrot): Tenth Night

Sericulture (The Process of Making Silk)

Hearing her declaration of love, Ayaz falls at the feet of Mahmuda at the holy shrine. The scene is witnessed by Salim, Ayaz’s friend, and a maid, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Falcon

The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Page from Tales of a Parrot (Tuti-nama): text page

Mughal India, court of Akbar

Page from Tales of a Parrot (Tuti-nama): text page

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Page from Tales of a Parrot (Tuti-nama): text page

Mughal India, court of Akbar

Page from Tales of a Parrot (Tuti-nama): text page

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Visually Similar by AI

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