Artwork Page for The young man changes himself to look like Mansur, and thus inveigles himself into the bed of Mansur’s wife, but is put off by her, from a Tuti-nama (Tales of a Parrot): Seventeenth Night

Details / Information for The young man changes himself to look like Mansur, and thus inveigles himself into the bed of Mansur’s wife, but is put off by her, from a Tuti-nama (Tales of a Parrot): Seventeenth Night

The young man changes himself to look like Mansur, and thus inveigles himself into the bed of Mansur’s wife, but is put off by her, from a Tuti-nama (Tales of a Parrot): Seventeenth Night

c. 1560
(reigned 1556–1605)
Measurements
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 6.6 x 10.2 cm (2 5/8 x 4 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

The imposter offers the woman a packet of paan to freshen her breath before love play.

Description

The lascivious young man who magically transformed himself to have the appearance of Mansur the merchant kneels on an arabesque-patterned bed with Mansur’s wife. Although he looks like her husband, his actions and personality are different, so the woman suspects something is amiss and feigns illness to stall the imposter’s advances.
A vertically oriented tempera and ink painting features dark script above a rectangular scene where two figures with light skin tones sit on a floral platform. On our right, a bearded man in a yellow robe holds an object toward a seated woman in an orange garment and gold jewelry. Behind them is a red floral-patterned wall next to an arched doorway. The painting is on a cream-colored page.

The young man changes himself to look like Mansur, and thus inveigles himself into the bed of Mansur’s wife, but is put off by her, from a Tuti-nama (Tales of a Parrot): Seventeenth Night

c. 1560

Mughal India, court of Akbar (reigned 1556–1605)

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