Artwork Page for In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

Details / Information for In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

c. 1560

Mughal India, court of Akbar

(reigned 1556–1605)
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Medium
gum tempera, ink, and gold on paper
Measurements
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 9.9 x 10.1 cm (3 7/8 x 4 in.)
Credit Line
Gift of Mrs. A. Dean Perry 1962.279.177.b
Public Domain
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Location
Not on view
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Did You Know?

A burglar who had broken into Hamnaz’s home is the first to reveal her secret affair.

Description

Hamnaz, whose nose was bitten off by her dying lover, leans over her sleeping husband. She intends to frame him for causing the injury so that her affair will not be revealed. When Hamnaz’s nose is found in the mouth of the dead lover, her husband is absolved.
A vertically oriented gum tempera and ink painting features five lines of black Persian calligraphy above a narrative scene. Inside a room with green walls and a purple archway, a woman with light skin tone and a sheer veil leans over a reclining man. Red spots mark his light blue shirt, and a knife sits on his yellow garment. An ornate blue floral carpet and geometric borders frame the entire scene.

In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

c. 1560

Mughal India, court of Akbar (reigned 1556–1605)

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