On the right, Khurshid, wearing orange, and Utarid embrace after a long separation. The three men standing on the left with heads hanging in shame have just confessed the misdeeds they committed against Khurshid. Upon admitting these transgressions, they are miraculously cured of the ailments that inflicted them.

A vertical manuscript page features black script across the upper third. Below, a pink pavilion houses two embracing figures in green and orange robes on our right. To our left, three figures in yellow, orange, and blue robes stand with bowed heads in a blue geometric courtyard. Beyond a pink trellis wall, green trees rise against a gold sky. The composition contrasts the intricate courtyard patterns with the figures' expressive, bowed postures.

Estate of Breckinridge Long [1881–1958], Bowie, MD

(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)

The Cleveland Museum of Art, Cleveland, OH

Khurshid reunited with her husband Utarid, from a Tuti-nama (Tales of a Parrot): Thirty-second Night

Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Khurshid reunited with her husband Utarid, from a Tuti-nama (Tales of a Parrot): Thirty-second Night

Mughal India, court of Akbar

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Khurshid reunited with her husband Utarid, from a Tuti-nama (Tales of a Parrot): Thirty-second Night

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Khurshid reunited with her husband Utarid, from a Tuti-nama (Tales of a Parrot): Thirty-second Night

Mughal India, court of Akbar

Description

Khurshid reunited with her husband Utarid, from a Tuti-nama (Tales of a Parrot): Thirty-second Night

See Also

Visually Similar by AI

Contact Us