Artwork Page for The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Details / Information for The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

c. 1560
(reigned 1556–1605)
Measurements
Overall: 20.3 x 13.4 cm (8 x 5 1/4 in.); Painting only: 17.7 x 10.3 cm (6 15/16 x 4 1/16 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

A flag, which is a standard component of an active Hindu temple, was drawn for the tallest dome, but never painted.

Description

The frantic princess stands above the bodies of her husband, dressed in orange, and the Brahman. Both men have died by their own hand. They are miraculously resurrected after the princess places each head on the wrong body. Because of this mix-up, the men begin to fight over who should be considered the princess’s rightful husband.
A vertically oriented gum tempera and ink painting depicts a woman with medium skin tone in a courtyard. She wears a blue skirt and purple bodice, gesturing toward a white shrine with three domes. Inside, a golden deity sits in prayer. In the foreground, two men lie on an orange patterned floor with severed heads and blood. Behind a purple-pink brick wall, green trees and hills rise against a gold sky.

The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

c. 1560

Mughal India, court of Akbar (reigned 1556–1605)

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