Artwork Page for The mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night

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The mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night

c. 1560
(reigned 1556–1605)
Measurements
Painting only: 9.1 x 10.6 cm (3 9/16 x 4 3/16 in.); Overall: 20 x 13.5 cm (7 7/8 x 5 5/16 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

Discoloration around the elephant’s face and legs indicate that his body has been repositioned.

Description

According to this story, written in Persian, a skilled yogi in India reached such a high level of practice that he was able to perform acts of transformation. Anxious to prevent his wife from committing adultery, he transformed himself into an elephant and carried her hidden in a howdah on his back and stayed only in the deep forest, away from men. One day, when the elephant was out foraging for food, a lone soldier came upon the wife, and they made love. The moral of the story is that no matter how extreme the lengths to which one might go to prevent adultery, if someone is inclined to do so, it will happen.
A vertically oriented manuscript page features twelve horizontal rows of black-inked calligraphic script on mottled, aged tan paper. Tiny red markings are interspersed throughout the rhythmic lettering. A thin rectangular border of gold and red lines frames the script, enclosed by a narrow red outer edge. On the right, a small strip of light-colored material adheres to the paper, which is filled from top to bottom with elegant, curving characters.

The mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night

c. 1560

Mughal India, court of Akbar (reigned 1556–1605)

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