Artwork Page for King Bahram, who has married Khassa’s daughter, has her tied to a camel to be abandoned in the desert as a result of false accusations made by Khulasa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night

Details / Information for King Bahram, who has married Khassa’s daughter, has her tied to a camel to be abandoned in the desert as a result of false accusations made by Khulasa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night

King Bahram, who has married Khassa’s daughter, has her tied to a camel to be abandoned in the desert as a result of false accusations made by Khulasa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night

c. 1560
(reigned 1556–1605)
Measurements
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 7.4 x 10.3 cm (2 15/16 x 4 1/16 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

The king is compared to Rustam, a legendary Persian warrior.

Description

The king, seated on a long-legged throne, furiously orders his wife’s execution. Khulasa, the king’s vizier, has attempted and failed to seduce her. Spurned by the queen’s rejection, he accuses her of committing adultery with another member of the court. At the center of the scene, a minister implores the king to abandon his wife, rather than have her beheaded.
A vertically oriented gum tempera and ink painting features seven lines of black Persian script at the top. Below, against a purple background with blue and white hexagonal patterns, a woman with light skin tone is bound to a camel on our left. In the center, a man gestures toward her. On our right, a person with light skin tone sits on a golden throne with an attendant standing behind them.

King Bahram, who has married Khassa’s daughter, has her tied to a camel to be abandoned in the desert as a result of false accusations made by Khulasa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night

c. 1560

Mughal India, court of Akbar (reigned 1556–1605)

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