Artwork Page for The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night

Details / Information for The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night

The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night

c. 1560
(Indian, active mid-1500s)
Measurements
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 10.3 x 10.6 cm (4 1/16 x 4 3/16 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

Under the covers is the hand that got infected from the monkey bite.

Description

Wounded by the chess-playing monkey’s bite, the prince’s hand became increasingly infected. The only cure, his doctors said, was to apply the blood of the monkey to the wound and let it dry. Reluctantly, the prince allowed the monkey to be killed. Two men accomplish this serious work at the left. In the right margin is written the name of the artist, the celebrated Basavana. The Tuti-nama contains the earliest known paintings by the prolific master who was instrumental in shaping the Mughal painting style over subsequent decades.
A vertically oriented gum tempera and ink painting on cream paper depicts a scene divided into three horizontal sections. Panels of black script frame the central composition. To our left, two figures cut into a monkey over a gold bowl. On our right, an older man reclines inside a pavilion, attended by two figures. A night sky sits above orange patterned walls. Fine, dark lines and rich pigments define the intricate figures.

The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night

c. 1560

Basawan​

(Indian, active mid-1500s)
Mughal India, court of Akbar (reigned 1556–1605)

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