Artwork Page for The Breadth and Flatness of the Frontal Bone

Details / Information for The Breadth and Flatness of the Frontal Bone

Series Title: The Haunted House

The Breadth and Flatness of the Frontal Bone

1896
(French, 1840–1916)
printer
(French, 1858–1936)
Support
China paper; wove paper
Measurements
Image: 14 x 9 cm (5 1/2 x 3 9/16 in.); Sheet: 44.9 x 31.5 cm (17 11/16 x 12 3/8 in.)
Catalogue raisonné
Mellerio 166
State
I/I
Edition
edition of 60
Public Domain
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Location
Not on view
?

Did You Know?

One of Redon's greatest patrons, the occultist René Philipon, commissioned this portfolio as a supplement for his French translation of Bulwer-Lytton's The Haunted and the Haunters.

Description

Odilon Redon was a voracious reader of contemporary literature, and such texts often influenced his art. This series was inspired by The Haunted and the Haunters, an 1859 novel by British writer Edward Bulwer-Lytton. Redon’s prints capture the book’s mysterious tone and emphasis on the supernatural through vague but evocative imagery that sometimes borders on abstraction. By this time a seasoned expert in lithography, the artist collaborated with master printer Auguste Clot. Their combined technical skills allowed for the rich tonal variation seen here, made by turning Redon’s lithographic crayon on its side, layering various marks, and even scratching directly into the surface of his stone.
A print portrait in black ink depicts a stylized profile of a person within a thin oval border, facing left. The head features an exaggerated, flattened forehead and a large, wide eye. Dense, textured shading defines the hair and neck, contrasting with the light paper. Tiny initials appear inside the oval's base, while small French text in the lower left corner identifies the width and flattening of the frontal bone.

The Breadth and Flatness of the Frontal Bone

1896

Odilon Redon, Auguste Clot

(French, 1840–1916), (French, 1858–1936)
France, late 19th Century

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