Artwork Page for Madonna and Child Enthroned

Details / Information for Madonna and Child Enthroned

Madonna and Child Enthroned

c. 1350
(Italian, c. 1335–1380)
Culture
Italy
Measurements
Framed: 122.5 x 61 x 7.5 cm (48 1/4 x 24 x 2 15/16 in.); Unframed: 113.7 x 54 cm (44 3/4 x 21 1/4 in.)
Credit Line
Public Domain
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Description

Seated on an elaborate throne, the Madonna’s weighty majesty emphasizes her role as the Queen of Heaven as she gazes at her infant son. The child, in turn, stares at the viewer. To Christ’s right is a fluttering goldfinch, a bird that was believed to nest in thorny trees and, according to legend, removed a painful spine from Christ’s crown of thorns. At that moment, a drop of his blood fell onto the goldfinch, forever giving it red markings. The precise identity of this artist has not yet been discovered, and little is known about his training or career. He receives his name after an altarpiece in the church of San Lucchese in Poggibonsi, near Siena.
A vertically oriented tempera and gold painting on an arched panel depicts the Virgin Mary and the nude baby Christ, both with light skin tones encircled by gold halos. Mary wears a deep blue cloak and sits on a throne, looking toward our right while pointing at Christ in her lap. A small bird perches on her left arm against a patterned red and gold backdrop framed by white architectural elements.

Madonna and Child Enthroned

c. 1350

Master of San Lucchese

(Italian, c. 1335–1380)
Italy

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