Artwork Page for Eight Views of the Xiao and Xiang Rivers

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Eight Views of the Xiao and Xiang Rivers

1700s
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(Japanese, 1683–1755)
Measurements
Image: 150 x 356 cm (59 1/16 x 140 3/16 in.); Overall: 170 x 376 cm (66 15/16 x 148 1/16 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

This screen forms a pair with CMA 1960.284.

Description

Watanabe Shiko, an Edo period painter who combined Kano school style with Rimpa style, re-created the Xiao and the Xiang rivers on a pair of eight-panel screens. For this composition, he followed the Kano school’s sense of space, adapted from miniature copying paintings (shukuzu) by the Japanese artist Kano Tanyu. Watanabe revised the typical representations of the Xiao and the Xiang rivers by rendering the theme Wild Geese Descending to Sandbar on the right screen and Evening Bell from Mist-Shrouded Temple on the left screen. He depicted simple motifs—moon, boat, geese, and temple—to suggest the other scenes while also creating airy space.
A horizontally oriented six-panel ink wash painting depicts a misty landscape. On our right, dark, jagged brushstrokes define craggy rocks, a gnarled tree, and small figures near a building. Centrally, faint mountain peaks rise through thick fog, a boat resting below. On our left, tiny birds fly toward a soft circle in an expansive sky. A vertical inscription marks the far right, and a gold border frames the scene.

Eight Views of the Xiao and Xiang Rivers

1700s

Watanabe Shikō

(Japanese, 1683–1755)
Japan, Edo period (1615–1868)

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