Artwork Page for Paintings after Ancient Masters: Landscape in the Style of Ni Zan

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Paintings after Ancient Masters: Landscape in the Style of Ni Zan

1598–1652
(Chinese, 1598/99–1652)
Measurements
Overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

Ni Zan (1301–1374) was known for his sparse, monochromatic ink landscape paintings.

Description

The twenty paintings in this double-album by Chen Hongshou include landscapes, figures, and flowers. It also has one leaf featuring a woman, an often-used subject not found in the other albums from the latter part of his career. His late works are wonderful summations of Chen's peculiar and quirky art--archaistic, hyper-refined--but without accompanying shallowness or sentimentality.

His figures and landscapes in the late albums are miniaturized, not unlike the small Chinese gardens, or the carefully selected small table rocks or old roots used for contemplation to see the world in miniature. This loss of scale is quite deliberate and reflects the psychological situation of a depressed class like the Ming loyalist officials and scholars, deprived of their integrity and honor, and forced to lead a diminished and restricted existence.
An ink and wash painting on silk depicts a sparse landscape with delicate brushwork. In the foreground, bamboo-like plants and four spindly, leafless trees emerge from rocky outcrops accented with dark ink. A wide, open expanse in the middle ground leads to soft, hazy mountain silhouettes. Red seals mark the lower corners and left center, next to a vertical column of calligraphy. The minimalist composition emphasizes linear forms and negative space.

Paintings after Ancient Masters: Landscape in the Style of Ni Zan

1598–1652

Chen Hongshou

(Chinese, 1598/99–1652)
China, Ming dynasty (1368–1644)

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