Artwork Page for Paintings after Ancient Masters: Mr. Five Willows (Wuliu), Tao Yuanming

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Paintings after Ancient Masters: Mr. Five Willows (Wuliu), Tao Yuanming

1598–1652
(Chinese, 1598/99–1652)
Measurements
Overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

This painting is dominated by a huge willow tree, alluding to poet Tao Yuanming, who used the name "Master of the Five Willows."

Description

The twenty paintings in this double-album by Chen Hongshou include landscapes, figures, and flowers. It also has one leaf featuring a woman, an often-used subject not found in the other albums from the latter part of his career. His late works are wonderful summations of Chen's peculiar and quirky art--archaistic, hyper-refined--but without accompanying shallowness or sentimentality.

His figures and landscapes in the late albums are miniaturized, not unlike the small Chinese gardens, or the carefully selected small table rocks or old roots used for contemplation to see the world in miniature. This loss of scale is quite deliberate and reflects the psychological situation of a depressed class like the Ming loyalist officials and scholars, deprived of their integrity and honor, and forced to lead a diminished and restricted existence.
A square painting in ink and color on silk depicts Tao Yuanming, a man with light skin tone, kneeling on a grassy bank. He wears a white robe and holds a staff. To the right, a youth stands beneath cascading willow trees that partially hide a thatched house. Dark, craggy rocks line the foreground, while hills recede into the background. Text extends down from the upper left, and red seals occupy the corners.

Paintings after Ancient Masters: Mr. Five Willows (Wuliu), Tao Yuanming

1598–1652

Chen Hongshou

(Chinese, 1598/99–1652)
China, Ming dynasty (1368–1644)

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