Artwork Page for Paintings after Ancient Masters: Scholar with Staff and Brush

Details / Information for Paintings after Ancient Masters: Scholar with Staff and Brush

Paintings after Ancient Masters: Scholar with Staff and Brush

1598–1652
(Chinese, 1598/99–1652)
Measurements
Overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)
Credit Line
Public Domain
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Location
Not on view

Description

The twenty paintings in this double album by Chen Hongshou include landscapes, figures, and flowers. It also has one leaf featuring a woman, an often-used subject not found in the other albums from the latter part of his career. His late works are wonderful summations of Chen's peculiar and quirky art—archaistic, hyper-refined—but without accompanying shallowness or sentimentality.

His figures and landscapes in the late albums are miniaturized, not unlike the small Chinese gardens, or the carefully selected small table rocks or old roots used for contemplation to see the world in miniature. This loss of scale is quite deliberate and reflects the psychological situation of a depressed class like the Ming loyalist officials and scholars, deprived of their integrity and honor, and forced to lead a diminished and restricted existence.
A vertically oriented ink and color painting on silk depicts a bearded scholar in a tan robe and black cap. He stands on a grassy mound, holding a staff and brush. To his left, a tall rock formation rises with layered, jagged outlines. A gnarled pine tree curves overhead, its needles rendered in long, dark, radiating strokes. Delicate, fine lines define the figure, while small reddish leaves add color at the base.

Paintings after Ancient Masters: Scholar with Staff and Brush

1598–1652

Chen Hongshou

(Chinese, 1598/99–1652)
China, Ming dynasty (1368–1644)

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