Artwork Page for Expulsion of Adam and Eve

Details / Information for Expulsion of Adam and Eve

Expulsion of Adam and Eve

1880s
(Scottish, 1820–1902)
Culture
Scotland
Measurements
Unframed: 91.3 x 70.7 cm (35 15/16 x 27 13/16 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

A renewed interest in religious art in mid-19th-century Britain led John Faed to visit Palestine in 1857.

Description

John Milton's epic poem Paradise Lost (1667) was the principal literary source for John Faed's depiction of the expulsion of Adam and Eve. The archangel Michael directs the couple away from the lush gardens and heavenly radiance of Eden, while Satan in the form of a snake appears in the right foreground. In most representations of the subject, Michael guards the gates of Paradise with a fiery sword, as prescribed in both Genesis and Paradise Lost. Faed, on the other hand, has him brandishing a compass, an instrument traditionally employed by God the Father in his act of creating the world.
A vertically oriented oil painting is composed of dramatic light and dark tones, featuring a large angel, Adam, and Eve, all with light skin tones. The white-clothed angel points toward the shadowy right while holding a rod. Below, nude Adam and Eve walk forward; Adam shields his eyes and Eve covers her chest. To our right, a snake coils with an open mouth. Radiant light beams from our top left over lush foliage.

Expulsion of Adam and Eve

1880s

John Faed

(Scottish, 1820–1902)
Scotland

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