Artwork Page for Waterfowl and Reeds

Details / Information for Waterfowl and Reeds

Waterfowl and Reeds

early 1200s

attributed to Liang Kai 梁楷

(Chinese, mid-1100s–early 1200s)
Measurements
Painting only: 23.4 x 23.5 cm (9 3/16 x 9 1/4 in.); Overall with knobs: 108 x 42.4 cm (42 1/2 x 16 11/16 in.)
Credit Line
Public Domain
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Location
Not on view

Description

This album leaf now mounted as a hanging scroll is attributed to the 13th-century artist Liang Kai, who served for a time in the Southern Song court as a court painter. In recognition of Liang’s outstanding talent, Emperor Ningzong (reigned 1195–1224) granted him the “Gold Belt,” the highest honor reserved for court painters. The artist, however, left his prestigious position in pursuit of the simple life in Buddhist monasteries.

The so-called one-corner composition (leaving empty space on one side as the artist did here) was popular in both the imperial court and Buddhist monasteries. This distinctive composition allowed the artist to render a sense of space. Liang Kai’s abbreviated style and expressive monochromatic brushwork were often understood to embody ideals of Chan (Zen) Buddhism, and were continued by later Buddhist painters.
A square ink painting on aged brown silk depicts a minimalist landscape. In the lower-left foreground, a dark, textured rock sits among wispy reeds bending toward the right. Two birds fly through the middle ground, while two smaller silhouettes soar high in the upper left. Monochromatic ink washes define the forms against the silk's visible horizontal weave, creating an atmospheric scene with vast empty space in a somber, monochromatic palette.

Waterfowl and Reeds

early 1200s

Liang Kai

(Chinese, mid-1100s–early 1200s)
China, Southern Song dynasty (1127-1279)

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