Artwork Page for Ten Bamboo Studio Collection of Calligraphy and Painting

Details / Information for Ten Bamboo Studio Collection of Calligraphy and Painting

Ten Bamboo Studio Collection of Calligraphy and Painting

十竹齋書畫譜

1633
(Chinese, c. 1584–1674)
Measurements
Open and extended: 23.7 x 27.9 cm (9 5/16 x 11 in.)
Credit Line
Public Domain
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Location
Not on view

Description

Color printing reached a level of perfection in the early 1600s, as seen in this Ten Bamboo Studio Collection of Calligraphy and Painting and the Mustard Seed Garden Manual of Painting (printed 1679 and 1701). The painterly quality, precision in registering (aligning) the woodblocks, and harmonious colors made them the most successful color print editions in Chinese history. Both editions were printed and compiled in Nanjing, spread nationwide, and had a great impact on the arts in Japan and Korea.
A pair of rectangular, dark blue cloth cases features vertical columns of black Chinese calligraphy on cream-colored paper labels (see "Inscriptions"). Each case holds several thin, woodblock-printed, thread-bound volumes, their cream edges showing rows of small characters at the bottom. The case on our left contains the first half of the collection, while the case on our right holds the second.

Ten Bamboo Studio Collection of Calligraphy and Painting

1633

Hu Zhengyan

(Chinese, c. 1584–1674)
China, Qing dynasty (1644–1911)

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