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Ten Bamboo Studio Collection of Calligraphy and Painting: Miscellaneous

十竹齋書畫譜

1633
printed by

Hu Zhengyan 胡正言

(Chinese, c. 1584–1674)
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Culture
Southeast China, Jiangsu Province, Nanjing
Medium
Woodblock-printed book; ink and colors on paper; first edition
Measurements
Open and extended: 23.7 x 27.9 cm (9 5/16 x 11 in.)
Credit Line
Edward L. Whittemore Fund 1984.45.1.2
Public Domain
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.
Location
Not on view
Print

Description

Color printing reached a level of perfection in the early 1600s, as seen in this Ten Bamboo Studio Collection of Calligraphy and Painting and the Mustard Seed Garden Manual of Painting (printed 1679 and 1701). The painterly quality, precision in registering (aligning) the woodblocks, and harmonious colors made them the most successful color print editions in Chinese history. Both editions were printed and compiled in Nanjing, spread nationwide, and had a great impact on the arts in Japan and Korea.
A vertically oriented book features a muted green, textured cover. On the left, a white rectangular label with a black border is inked with dark, stylized characters arranged vertically above four red square and circular seal stamps. The cover surface shows age, with irregular tears and missing patches revealing a beige material underneath. The composition highlights the weathered, tactile quality of traditional woodblock-printed paper.

Ten Bamboo Studio Collection of Calligraphy and Painting: Miscellaneous

1633

Hu Zhengyan

(Chinese, c. 1584–1674)
Southeast China, Jiangsu Province, Nanjing

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