Artwork Page for Ten Bamboo Studio Painting and Calligraphy Handbook (Shizhuzhai shuhua pu): Bamboo

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Ten Bamboo Studio Painting and Calligraphy Handbook (Shizhuzhai shuhua pu): Bamboo

十竹齋書畫譜

1633
printed by

Hu Zhengyan 胡正言

(Chinese, c. 1584–1674)
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Culture
China, Qing dynasty (1644-1911)
Medium
Woodblock-printed book; ink and colors on paper; first edition
Measurements
Open and extended: 23.7 x 27.9 cm (9 5/16 x 11 in.)
Credit Line
Edward L. Whittemore Fund 1984.45.2.11
Public Domain
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.
Location
Not on view
Print

Description

Color printing reached a level of perfection in the early 1600s, as seen in this Ten Bamboo Studio Collection of Calligraphy and Painting and the Mustard Seed Garden Manual of Painting (printed 1679 and 1701). The painterly quality, precision in registering (aligning) the woodblocks, and harmonious colors made them the most successful color print editions in Chinese history. Both editions were printed and compiled in Nanjing, spread nationwide, and had a great impact on the arts in Japan and Korea.
A vertically oriented book features a rectangular, muted olive-green cover showing visible age. On the left, a narrow white paper label contains vertically stacked black calligraphy above a square red stamp. Pale, irregular stains and worn areas texture the surface, particularly at the edges. Light spots where the paper has peeled away scatter across the olive-green background, creating a weathered and organic appearance.

Ten Bamboo Studio Painting and Calligraphy Handbook (Shizhuzhai shuhua pu): Bamboo

1633

Hu Zhengyan

(Chinese, c. 1584–1674)
China, Qing dynasty (1644-1911)

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