Artwork Page for Iconographic Drawings: Chakrashamvara with Vajravarahi, Hevajra with Nairatmya, and Yamantaka (verso)

Details / Information for Iconographic Drawings: Chakrashamvara with Vajravarahi, Hevajra with Nairatmya, and Yamantaka (verso)

Iconographic Drawings: Chakrashamvara with Vajravarahi, Hevajra with Nairatmya, and Yamantaka (verso)

c. 1500
Measurements
Overall: 20.3 x 12.7 cm (8 x 5 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

The script notations are in an Indic script, but the line drawings are Tibetan.

Description

These rare surviving pages of a practice book have drawings of prominent tantric figures. The line drawing is confident and masterful, with each iconographic element rendered with clarity and precision. The svelte proportions of the figures follow the style of the Khyenri school initiated in the second half of the 15th century by the artist Khyentse Wangchuk (about 1420-1500), known for his elegant and energetic depictions of the fierce manifestations of the enlightened beings. The best preserved example on this segment is the blue Hevajra in sexual union with Nairatmya, shown in a deeper shade of blue. Chakrashamvara, another powerful emanation of a Buddha, is at the left with his consort Vajravarahi, holding a variety of weapons, tantric implements, and an elephant skin representing the defeat of uncontrolled passions in his twelve hands. The buffalo-headed figure at the right is Yamantaka, a powerful form of the Bodhisattva of Wisdom. Tantric practitioners invoke this deity to aid in conquering fear of death, one of the most powerful hindrances to enlightenment.
An ink and watercolor drawing on a fragmented, four-panel cotton cloth depicts multi-armed deities in sexual embrace. On our left, Chakrashamvara and Vajravarahi have light skin tones. In the second panel, Hevajra has light-blue skin while Nairatmya is light-skinned. To our right, two panels contain ink outlines of Yamantaka. Small figures cluster along the bottom edge, and rounded script is written in black across the textured, frayed textile.

Iconographic Drawings: Chakrashamvara with Vajravarahi, Hevajra with Nairatmya, and Yamantaka (verso)

c. 1500

Tibet

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