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Details / Information for The Nativity

The Nativity

1553
(Italian, 1520–1582)
published by
(Italian, 1503–1572)
Medium
engraving
Support
Cream(1) laid paper
Measurements
Overall: 67.5 x 45.6 cm (26 9/16 x 17 15/16 in.); Part 1: 32.9 x 45 cm (12 15/16 x 17 11/16 in.); Part 2: 34 x 45.6 cm (13 3/8 x 17 15/16 in.)
Credit Line
Catalogue raisonné
Lewis&Boorsch 14
State
ii/ii (top plate) ; iv/iv (bottom plate)
Public Domain
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Description

The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands. There he worked with Hieronymus Cock (about 1510–1570), founder of the largest and best-known print publishing establishment in northern Europe, called The Four Winds. This print reproduces a painting of similar size by the artist Agnolo Bronzino (1513–1572), painted in the late 1530s for Filippo d'Averardo Salviati of Florence. Making a print based on a work belonging to a private individual was an unusual practice during the 16th century.
A vertically oriented engraving in dense black-inked fine lines depicts the Nativity. At top, a radiant star beams through heavy clouds beside two Latin text plaques and six winged children. Below a hilly landscape, the Virgin Mary and baby Christ, both with light skin tones and halos, are surrounded by angels and shepherds. To the right, Joseph sits near a thatched stable while a cow's head peeks through a brick wall.

The Nativity

1553

Giorgio Ghisi, Hieronymus Cock, Agnolo Bronzino

(Italian, 1520–1582), (Italian, 1503–1572)
Italy, 16th century

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