Artwork Page for The Adoration of the Magi

Details / Information for The Adoration of the Magi

The Adoration of the Magi

c. 1545
(French, active c. 1535–55)
(Italian, 1500/04–1557)
Medium
etching
Support
Cream(3) laid paper, laid down on cream(3) laid paper
Measurements
Sheet: 31.2 x 42.3 cm (12 5/16 x 16 5/8 in.); Secondary Support: 32 x 43.1 cm (12 5/8 x 16 15/16 in.)
Credit Line
Catalogue raisonné
Bartsch 14 (XVI.381)
Public Domain
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Location
Not on view

Description

Printmaking at Fontainebleau flourished briefly during the 1540s and seems to have stopped altogether by 1547. Jean Mignon was one of the four major etchers whose works are most closely associated with the workshop there. Almost all of Mignon's prints reproduce drawings by Luca Penni (1500/4–1557), an Italian painter active at the chateau. The elegantly elongated figures reflect the influence of Italian Mannerists, especially Parmigianino.
A horizontally oriented etching in dense black-inked fine lines depicts the Adoration of the Magi amidst stone ruins. On our left, the Virgin Mary holds the nude baby Christ while Joseph leans behind them. Three Magi with light skin tones offer ornate vessels; one kneels while two stand. On our right, more figures with light skin tones stand with horses in a landscape featuring crumbling arches and distant trees.

The Adoration of the Magi

c. 1545

Jean Mignon, Luca Penni

(French, active c. 1535–55), (Italian, 1500/04–1557)
France, 16th century

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