Artwork Page for Three Studies of Angels for a Pendentive (recto); Studies for Christ Meeting His Mother on the Road to Calvary, Studies of an Angel in a Pendentive (verso)

Details / Information for Three Studies of Angels for a Pendentive (recto); Studies for Christ Meeting His Mother on the Road to Calvary, Studies of an Angel in a Pendentive (verso)

Three Studies of Angels for a Pendentive (recto); Studies for Christ Meeting His Mother on the Road to Calvary, Studies of an Angel in a Pendentive (verso)

1599/1604
(Italian, 1552–1626)
Measurements
Sheet: 27.8 x 35.3 cm (10 15/16 x 13 7/8 in.)
Public Domain
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Location
Not on view

Description

In 1590, a generation after Michelangelo’s death, the dome he designed for Saint Peter’s Basilica in Rome was finally completed. In 1597 Pope Clement VIII commissioned the mosaic decoration of the interior of the dome, choosing Cristoforo Roncalli in part because of his training in Florence, an origin he shared with Michelangelo. Roncalli made this preparatory drawing for the angels that would appear at each side of the four Evangelists in the trapezoidal spaces where the dome meets the supporting arches, called pendentives. Roncalli practiced rendering the foreshortened human form in three studies across the sheet, which are early stages of the design.
Two red chalk drawings on irregularly shaped tan paper depict various human figures. The left side features three winged figures, with one positioned over a grid. The right side displays two rectangular scenes at the top and five winged figures sketched within triangular frames at the bottom. Fine red hatching and outlines create the forms across both sides of the sheet.

Three Studies of Angels for a Pendentive (recto); Studies for Christ Meeting His Mother on the Road to Calvary, Studies of an Angel in a Pendentive (verso)

1599/1604

Cristoforo Roncalli

(Italian, 1552–1626)
Italy, late 16th-early 17th Century

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