Artwork Page for Three Studies of Angels for a Pendentive (recto)

Details / Information for Three Studies of Angels for a Pendentive (recto)

Three Studies of Angels for a Pendentive (recto)

1599/1604
(Italian, 1552–1626)
Support
Beige(1) laid paper
Measurements
Sheet: 27.8 x 35.3 cm (10 15/16 x 13 7/8 in.)
Public Domain
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Location
Not on view

Description

In 1590, a generation after Michelangelo’s death, the dome he designed for Saint Peter’s Basilica in Rome was finally completed. In 1597 Pope Clement VIII commissioned the mosaic decoration of the interior of the dome, choosing Cristoforo Roncalli in part because of his training in Florence, an origin he shared with Michelangelo. Roncalli made this preparatory drawing for the angels that would appear at each side of the four Evangelists in the trapezoidal spaces where the dome meets the supporting arches, called pendentives. Roncalli practiced rendering the foreshortened human form in three studies across the sheet, which are early stages of the design.
A horizontally oriented red chalk drawing on irregularly shaped tan paper depicts three muscular figures with light skin tones. At left, a winged angel ascends within a geometric red grid. To the right, another winged angel flies with outstretched arms. Below and centered, a wingless figure runs forward with open arms. Diagonal lines frame the scene, while fine red hatching creates shadow across their dynamic, airborne bodies.

Three Studies of Angels for a Pendentive (recto)

1599/1604

Cristoforo Roncalli

(Italian, 1552–1626)
Italy, late 16th-early 17th Century

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