Artwork Page for Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel

Details / Information for Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel

Series Title: Égypte, Nubie, Palestine et Syrie. Dessins photographiques receuillis pendant les années 1849,1850 et 1851 accompagnes d'un text explicatif et précédés d'une introduction par Maxime Du Camp, pl. 10

Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel

1850
(French, 1822–1894)
publisher
Measurements
Image: 16.5 x 21.5 cm (6 1/2 x 8 7/16 in.); Paper: 29.5 x 37.5 cm (11 5/8 x 14 3/4 in.); Matted: 40.6 x 50.8 cm (16 x 20 in.)
Credit Line
Public Domain
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Location
Not on view

Description

Du Camp was the first photographer to depict the marvels of ancient Egypt. In 1849 a scholarly association commissioned the young writer to document Egyptian monuments and their hieroglyphics. He learned to photograph shortly before embarking for Egypt in the company of the young novelist Gustave Flaubert. In 1852 Du Camp published an album of photographs of Egypt, Nubia, Palestine, and Syria, which brought him widespread recognition. Just as Du Camp followed in the footsteps of earlier painters and scholars, later photographers like Beato often echoed his choices of subject matter.
A black-and-white salted paper print depicts three colossal figures carved into a weathered, craggy cliffside. Centrally, a female figure wears a disk and horns, flanked by two male figures in tall crowns and beards. Vertical pillars featuring hieroglyphics, a pictorial writing system, separate the statues. Jagged boulders and dry brush fill the foreground. Standing in deep shadows near the rightmost figure's base, a person emphasizes the monument's immense scale.

Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel

1850

Maxime Du Camp, Gide et J. Baudry

(French, 1822–1894)
France, 19th century

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