Artwork Page for Summer Mountains (after Dong Yuan [active c. 937–75])

Details / Information for Summer Mountains (after Dong Yuan [active c. 937–75])

Summer Mountains (after Dong Yuan [active c. 937–75])

1290–1354
(Chinese, 1269–1354)
Measurements
Image: 131.7 x 55.6 cm (51 7/8 x 21 7/8 in.); Overall: 257.4 x 71.2 cm (101 5/16 x 28 1/16 in.)
Public Domain
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Location
Not on view
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Did You Know?

The wet hills and moist, rich atmosphere evoke the southern Chinese summer, characterized by monsoon rains and lush growth.

Description

This monumental landscape is drawn in softly rounded strokes with darker lines frequently applied on top of lighter ones. This technique recalls one of the suggestions included in a collection of the artist's writings known as Secrets of Landscape Painting: The most difficult thing in painting is using the ink. The artist begins by using dilute ink and builds it up to the point where it begins to look right, then uses dense, black ink, applied fairly dry, and washes of deeper-toned ink. This technique distinguishes the fields from the paths, the far from the near. Huang Gongwang may have learned this technique from observing nature through the eyes of an earlier master, Dong Yuan, a painter whose style he shared.
A hanging scroll in muted brown tones depicts a massive mountain dominating the right side, its craggy slopes textured with dark dabs representing dense trees and boulders. The landscape recedes into a misty, pale background on the left. In the foreground, clusters of trees and rocks line a quiet waterway. Small black calligraphy and red seals are nestled in the corners, marking the aged silk surface with traditional inscriptions.

Summer Mountains (after Dong Yuan [active c. 937–75])

1290–1354

Huang Gongwang

(Chinese, 1269–1354)
China, Yuan dynasty (1271-1368)

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