Artwork Page for Noah and the Animals Entering the Ark

Details / Information for Noah and the Animals Entering the Ark

Noah and the Animals Entering the Ark

1650–55
(Italian, 1609–1664)
Medium
etching
Catalogue raisonné
Bellini 61 ; Percy G24
Public Domain
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Location
Not on view

Description

Animals were among Giovanni Benedetto Castiglione’s favorite subjects, leading him to frequently depict the biblical story of Noah’s Ark. Here, a group of men guide horses, deer, dogs, goats, and even guinea pigs toward the ark. After viewing etchings by his contemporary Rembrandt, whose work was not yet known widely in Italy, Castiglione recognized the potential of the medium. He emulated the Dutch master’s sketchy, draftsman-like approach and created a recession into space by combining deeply and lightly etched lines. The lush landscape, with its complicated layers of vegetation that swirl with movement, is a distinctive feature of Castiglione’s technique.
A horizontally oriented etching depicts a crowded pastoral landscape. Centrally, a large white horse stands among sheep, cattle, and a dog. To the right, figures with bundles and pack animals emerge from dense, shadowy trees. In the distant left, a wooden building and small boats sit near water under a sky of fine, horizontal lines. Textured earth and large leafy plants fill the foreground, all rendered with intricate, monochromatic line work.

Noah and the Animals Entering the Ark

1650–55

Giovanni Benedetto Castiglione

(Italian, 1609–1664)
Italy, 17th century

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