Artwork Page for Calligraphy (reverse)

Details / Information for Calligraphy (reverse)

Calligraphy (reverse)

late 1800s
Measurements
Image: 117.7 x 33.5 cm (46 5/16 x 13 3/16 in.); Panel: 164.5 x 43.6 cm (64 3/4 x 17 3/16 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

A calligrapher has brushed several Chinese poems about the four seasons on the reverse side, among them "Composing in the Daytime of Summer" by Tang poet Liu Zongyuan (773–819) and "Composing when Spring Begins" by Song scholar Zhang Shi (1133–1180).

Description

The front of this screen features an assortment of subjects: birds and flowers, landscapes, and scenes of everyday life, mostly in monochromatic ink with light colors. The screen’s reverse side conveys a number of classical poems about the fleeting beauty of the four seasons. Traditionally, only one side of a folding screen bears painted or embroidered images, since these were used as a background furnishing. In Korean houses by the 1800s and early 1900s, however, two-sided folding screens became noticeably popular, possibly inspired by Japanese double-sided folding screens, which mainly served as room dividers in Japanese households.
A ten-panel folding screen features black panels flanking eight central panels with Chinese calligraphy in black ink extending down in three columns in each panel. The characters alternate between thick swathes of ink and fine lines. Two columns extend the length of the sand-brown background, with a shorter column in the lower half on the left. Two red stamps feature in the lower left and upper right.

Calligraphy (reverse)

late 1800s

Korea, Joseon dynasty (1392–1910)

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