Artwork Page for Album of Calligraphy and Paintings

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Album of Calligraphy and Paintings

first half of the 1700s

Bian Shoumin 邊壽民

(Chinese, 1684–1752)
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Culture
China, Qing dynasty (1644-1911)
Medium
album leaf; ink and color on paper
Measurements
Overall: 18.5 x 27.5 cm (7 5/16 x 10 13/16 in.)
Credit Line
Gift of Dr. and Mrs. Roger Y. K. Hsu, Dr. Daphne T. Hsu, and Dr. Jeffrey T. Hsu in memory of Robert P. Bergman 1999.260.i
Public Domain
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Location
Not on view
Print

Description

The artist Bian Shoumin is known for his depiction of wild geese, water, and reeds. The migrant birds in autumn and winter evoked, in the minds of the Chinese intelligentsia, a time of parting and sorrow.
An ink and color painting on paper depicts three waterfowl in a sparse, misty landscape. From the bottom center, dry, thin reeds stretch upward, partially hiding a bird nestled below. Toward the right, one bird stands on a light gray wash while another tucks its head into its plumage. Horizontal gray and tan washes create a background of water. Vertical Chinese calligraphy and a small red seal occupy the upper left corner.

Album of Calligraphy and Paintings

first half of the 1700s

Bian Shoumin

(Chinese, 1684–1752)
China, Qing dynasty (1644-1911)

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