Artwork Page for Maid bringing a hookah to a lady (recto), from a Kalighat album

Details / Information for Maid bringing a hookah to a lady (recto), from a Kalighat album

Maid bringing a hookah to a lady (recto), from a Kalighat album

c. 1890
Measurements
Secondary Support: 48.6 x 30.1 cm (19 1/8 x 11 7/8 in.); Painting only: 45.8 x 27.5 cm (18 1/16 x 10 13/16 in.)
Public Domain
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Location
Not on view

Description

Kalighat paintings reflect the time and context in which they were created. Kalighat painters used their medium to offer penetrating and insightful critiques of British-influenced Indians as well as the British themselves through satires and caricatures. Newly rich Bengali native Indian clerks (babus) aspired to dress and behave like their British masters, and Kalighat painters taunted them for this.

The maid, dressed in green, holds a hookah in her right hand. The lady in red is likely a fashionable high society concubine or prostitute known and depicted at this time as hookah-smoking, makeup-wearing, paan- (betel leaf with areca nut and lime paste) chewing hussies. The wealth created by the East India Company made it possible for Bengali babu dandies to have concubines and pay for prostitutes.
A vertically oriented gum tempera and graphite painting depicts the simplified, bold outlines of two women with medium-yellow skin tones. Standing against a plain background facing each other, they wear saris with rhythmic folds—one dark green and one red. The woman on the left holds a long-stemmed pipe, while the other raises a purple fruit. Both are adorned with elaborate silver-colored jewelry, including prominent nose rings and layered necklaces, highlighting their rounded bodies.

Maid bringing a hookah to a lady (recto), from a Kalighat album

c. 1890

Eastern India, Bengal, Kolkata, Kalighat

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