Artwork Page for Ecce Homo. Christ Presented to the People

Details / Information for Ecce Homo. Christ Presented to the People

Ecce Homo. Christ Presented to the People

1655
(Dutch, 1606–1669)
Medium
drypoint
Support
'Dutch' laid paper; no watermark
Measurements
Sheet: 36.1 x 45.6 cm (14 3/16 x 17 15/16 in.); Platemark: 35.9 x 45.6 cm (14 1/8 x 17 15/16 in.)
Credit Line
Catalogue raisonné
White and Boon (Hollstein) 76, state V/VIII; B 76; Hind 271
State
state V/VIII
Public Domain
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Location
Not on view

Description

Rembrandt was an experimental and innovative printmaker and the first to execute works in pure drypoint on this monumental scale. Drypoint produces blurred lines and rich, velvety shadows, but these effects are lost as the plate wears. A limited number of rich impressions exist like this fine example of the fifth state, which demonstrates how Rembrandt redefined the expressive potential of printmaking. Rembrandt’s habit of drawing from life made him a keen observer of behavior and body language, endowing his biblical scenes with a human dimension and veracity not seen previously. The throng in Christ Presented to the People represents a cross section of the population and reflects the pictorial tradition that common humanity condemned Christ. Large areas of the imposing building, symbolizing the crushing weight and authority of the state, remain unworked so that blank white paper seems radiant in contrast to rich black shadows.
A horizontally oriented drypoint print in fine black lines depicts people with light skin tones gathered before a raised platform. Centrally, a bearded man with bound hands stands beside a man in a turban. Below, a dense crowd looks upward while spectators watch from windows and balconies on our left and right. Two statues holding scales and a sword flank a large doorway behind the figures on the platform.

Ecce Homo. Christ Presented to the People

1655

Rembrandt van Rijn

(Dutch, 1606–1669)
Netherlands

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