Artwork Page for Panthea before Cyrus? (verso)

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Panthea before Cyrus? (verso)

1655–1660?

Michel Dorigny

(French, 1617–1665)
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Culture
France, 17th century
Medium
black chalk
Support
Beige laid paper
Measurements
Sheet: 20 x 25.7 cm (7 7/8 x 10 1/8 in.)
Credit Line
Bequest of Muriel Butkin 2008.405.b
Public Domain
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Location
Not on view
Print

Description

Dorigny was the collaborator and son-in-law of Simon Vouet, the leading painter working in Paris in the mid-1600s. Their drawing styles are similar, and this sheet was once attributed to Vouet. However, the airy, floating drapery, firm contour lines, and regular parallel hatching lines are all typical of Dorigny's technique in black chalk. Although we do not know of a painting to which this drawing relates, the flying angels indicate that Dorigny had a religious subject in mind when he drew them.
A vertically oriented black chalk drawing on beige paper depicts a crowned figure seated on an ornate throne beneath a draped canopy. Rendered with loose lines, the central figure holds a scepter and gestures toward several standing figures on the right. In the architectural background, two columns with decorative capitals rise behind the assembly. The paper displays scattered brown spots and handwritten numbers along the left edge.

Panthea before Cyrus? (verso)

1655–1660?

Michel Dorigny

(French, 1617–1665)
France, 17th century

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