Artwork Page for Venice: Saint Mark's Looking toward San Giorgio Maggiore, in Moonlight

Details / Information for Venice: Saint Mark's Looking toward San Giorgio Maggiore, in Moonlight

Venice: Saint Mark's Looking toward San Giorgio Maggiore, in Moonlight

c. 1870
(Italian, 1816–1882)
Measurements
Image: 42.3 x 53.7 cm (16 5/8 x 21 1/8 in.); Paper: 42.3 x 53.7 cm (16 5/8 x 21 1/8 in.); Matted: 61 x 76.2 cm (24 x 30 in.)
Credit Line
Public Domain
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Location
Not on view
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Did You Know?

Nowadays Venice usually receives between 26 and 30 million visitors annually.

Description

This romantic view of a nearly empty, moonlit Piazza San Marco is a tourist’s dream of Venice—and dream it is, rather than reality. The light-sensitive coatings of photographic negatives around 1870 were unable to record such detail in the dark, so Carlo Naya photographed his celebrated nocturnes during the day then manipulated the exposure in the darkroom. The highlights on the water and on the columns on the right, along with all the gaslight flames, were hand painted on the negative (he missed one lamp on the left). The sun, conveniently hidden behind a cloud, becomes the moon.
A horizontally oriented albumen print depicts a dark, sepia-toned Venetian square under a clouded moon. To the left, the Doge's Palace displays a patterned facade above shadowy arches. To the right, street lamps glow along a colonnaded building. Two stone columns frame a ship on the shimmering lagoon. A church dome and tower rise in silhouette. Small figures stand on the square's geometric pavement reflecting the pale light.

Venice: Saint Mark's Looking toward San Giorgio Maggiore, in Moonlight

c. 1870

Carlo Naya

(Italian, 1816–1882)
Italy, 19th century

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