Artwork Page for Morning Haze in Chichester Harbor

Details / Information for Morning Haze in Chichester Harbor

Morning Haze in Chichester Harbor

1922
(British, 1857–1945)
Medium
aquatint
Support
Wove paper
Measurements
Platemark: 23.8 x 34.9 cm (9 3/8 x 13 3/4 in.); Sheet: 36.5 x 51.2 cm (14 3/8 x 20 3/16 in.)
Credit Line
Catalogue raisonné
Hardie 166
Public Domain
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Location
Not on view

Description

Short is recognized as an influential teacher and master of intaglio processes who revived the use of mezzotint and aquatint, both tonal techniques. The discipline he required of his students as head of engraving at the Royal College of Art was largely responsible for the technical excellence of British etching during the 1910s through the 1940s. Short frequently depicted peaceful, far-reaching, level landscapes, or seascapes with few humans. With an economy of means, he achieved beautiful, atmospheric results.
A horizontally oriented aquatint depicts a wide harbor in pale, warm gray washes. Fine, granular textures create a hazy expanse where sky and water merge. Left of center, a dark rowboat carrying two small figures anchors a thin, horizontal stroke of land. In the distance, delicate vertical lines and hazy smudges suggest sailboats and distant land through the mist. The foreground and sky are broad, uniform fields of color, punctuated by subtle, stippled variations.

Morning Haze in Chichester Harbor

1922

Frank Short

(British, 1857–1945)
England, 20th century

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