Artwork Page for Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (recto)

Details / Information for Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (recto)

Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (recto)

c. 1710
Measurements
Page: 42.2 x 28.5 cm (16 5/8 x 11 1/4 in.)
Public Domain
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Location
Not on view

Description

A Persian inscription identifies the bird-man in the tree by name, but the text in which he appears remains unidentified. Also unknown is the Chinese princess Mahliqa (“she who has a face like the moon”), named in a Persian inscription written in front of her face. The artist depicts her in the dress of a Mughal court lady, except for the addition of an unusual headdress, and her handmaidens all look Indian. They gesture to the bird-man from the opposite side of a formal garden canal with fountains. A fortified city lies in the distance behind the walled garden, while creatures peer up at the fabulous composite figure from the water below.
A vertically oriented gum tempera and gold painting depicts a garden divided by a blue canal. Center right, seven figures in ornate robes stand, one pointing toward a human-faced bird perched in a golden tree, center left. Above a white wall, a glinting pale-walled city sits atop a hill. Fish and crocodile heads poke out of a gray river along the lower edge. A gold leaf border frames the intricate scene.

Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (recto)

c. 1710

Mughal India

See Also

  • Department
    Indian and Southeast Asian Art
  • Medium
    Tempera
  • Credit line
    Gift In Honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by Exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection

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