Artwork Page for Allegory of Carnal Love

Details / Information for Allegory of Carnal Love

Allegory of Carnal Love

c. 1530
(Italian, 1462–1534)
Medium
engraving
Measurements
Image: 29.7 x 27.8 cm (11 11/16 x 10 15/16 in.); Sheet: 29.7 x 27.8 cm (11 11/16 x 10 15/16 in.)
Catalogue raisonné
Hind I.205.29
Public Domain
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.
Location
Not on view
?

Did You Know?

Robetta worked in a manner of engraving known as the fine manner, characterized by its extremely fine lines combined with crosshatching and dots.

Description

This enigmatic group of figures is most likely an allegory (a representation of an abstract idea) centered on human love. The winged Cupid lashes a man’s arm to a tree, while a long sash binds together two couples who hungrily touch one another. A figure of ambiguous sex at left holds the end of the sash. The print may be related to Neoplatonic love treatises in Florence. One such treatise argued that the sense of touch operates between sensual and spiritual realms, an idea
embodied by Hermaphroditus, an intersex figure described in Greek myth. A direct connection remains elusive.

Allegory of Carnal Love

c. 1530

Cristofano Robetta

(Italian, 1462–1534)
Italy, 20th century

See Also

Visually Similar by AI

    Contact Us

    The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

    To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

    All images and data available through Open Access can be downloaded for free. For images not available through Open Access, or any image with a color bar, request a digital file from Image Services.