Monsieur Boileau at the Café | Cleveland Museum of Art

Monsieur Boileau at the Café

1893

Henri de Toulouse-Lautrec

(French, 1864–1901)

France, 19th century

oil and tempera with charcoal on millboard

Sheet: 80.3 x 65 cm (31 5/8 x 25 9/16 in.); Framed: 105.4 x 89.5 x 8.3 cm (41 1/2 x 35 1/4 x 3 1/4 in.)

Hinman B. Hurlbut Collection 1925.1409

Catalogue raisonné: Dortu P.465

Location: not on view

You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.

Did You Know?

The green drink on the table is probably absinthe, a popular drink with artists at the time that was thought to have hallucinogenic properties.

Description

Cleveland’s 1925 purchase of this work by Henri de Toulouse-Lautrec marked the first acquisition of one of the artist’s drawings by a museum in the United States. Its subject, Monsieur Boileau, was a gossip columnist known to drink heavily at Le Mirliton, a nightclub. Here, saturated, acidic tones evoke the room’s gas lamps and thinned oil paint absorbs into its support, producing texture that complements the scene’s grittiness. In his own time, Toulouse-Lautrec was considered a portraitist for such depictions of friends and other inhabitants of his neighborhood. He preferred drawing for its immediacy, using it to record his sitters’ personalities through materials and formal choices.

Monsieur Boileau at the Café

Monsieur Boileau at the Café

1893

Henri de Toulouse-Lautrec

(French, 1864–1901)

France, 19th century

See Also

Visually Similar by AI

CMA Store

Magnet Set -Henri de Toulouse-Lautrez

Magnet Set -Henri de Toulouse-Lautrez

Henri de Toulouse-Lautrec (French, 1864–1901) Monsieur Boileau at the Café 1893 May Belfort 1895

Nineteenth-Century French Drawings at the Cleveland Museum of Art

Nineteenth-Century French Drawings at the Cleveland Museum of Art

By Britany Salsbury, Associate Curator of Prints and Drawings, The Cleveland Museum of Art. Drawing transformed radically in 19th-century France, expanding from a means of artistic training to an independent medium with rich potential for exploration and experimentation. A variety of materials became available to artists—such as commercially fabricated chalks, pastels, and specialty papers— encouraging figures ranging from Jean-Auguste-Dominique Ingres to Paul Cezanne to reconsider the place of drawing within their artistic practices. A growing number of public and private exhibition venues began to feature their creations, building an audience attracted by the intimacy of drawings and their unique techniques and subjects. In France and abroad, museums and individuals alike started to actively acquire these works while they were still contemporary art. Nineteenth-Century French Drawings at the Cleveland Museum of Art examines the history of this medium, from preparatory graphite sketches to pastels finished for public display. The publication chronicles the remarkable role that drawings—a cornerstone of the museum’s collection since its opening in 1916—have played throughout the institution’s history. Entries provide insight into nearly 50 artists and the place of drawing within their work, while five essays by leading scholars in the field present new research on the making and collecting of drawings in France during this extraordinary period. Published 2023200 pages with 148 images

Treasures from the Cleveland Museum of Art

Treasures from the Cleveland Museum of Art

Forward by David Franklin Introduction by C. Griffith Mann with contributions by Curators and Associate Curators of the Cleveland Museum Staff The Cleveland Museum of Art is renowned for the quality and breadth of its collection, which includes more than 40,000 objects and spans 6,000 years of achievement in the arts. Published to celebrate the closing stages of a long-term renovation and expansion, this exquisitely illustrated volume features treasures from the museum's deep and wide-reaching collection including Asian Art, African Art, American Painting and Sculpture, European Painting and Sculpture, Medieval Art, Ancient Egyptian Art, Ancient Near East and Greek and Roman Art, Islamic Art, Art of the Ancient Americas, Drawings, Prints, Photography, Decorative Art and Design, Textiles, Modern Art, and Contemporary Art. 352 pages Published 2012

The Cleveland Museum of Art: Art Spaces

The Cleveland Museum of Art: Art Spaces

This fully illustrated book presents a brief view of the museum’s recent renovations and additions by famed architect Rafael VinÞoly. Confronted with the need to address facility concerns, devise more gallery space, and connect the various pre-existing styles from earlier additions, VinÞoly designs an architectural masterpiece by using a scheme of various spaces and architectural elements, all united by a soaring glass-roofed atrium to harmonize the museums architecture. 64 pages Published 2013

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.